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Sunday, 12 December 2010

FGFC820 - Law And Order

These guys I decided to check out when I saw a girl at the last industrial fallout wearing their t-shirt, on the off chance I might like them. And I do.
Formed in 2004, FGFC820 is the harsh EBM project from well-known and respected New York City DJs, Rexx Arkana and Dräcos. Drawing on joint and separate influences ranging from old school industrial to modern gabber, Arkana and Dräcos combine to create a sound that is at once melodic and relentlessly rhythmic, "bringing the 'thump' back to EBM".

There album starts off with the first tracks making a huge political statement that isn't too in your face but subtle enough to make you think. There mostly focused on the war in  Iraq and how politicians can twist things to how they want it to sound, including political justice. Hello, Baghdad is a prime example of this as roughly halfway through the song it has a very controversial sample of a political speech (not sure whether its from a film or actually happened) but its used effectively, having said that I would probably dance to it at a club if it came on. Killing fields has bright synths and the lyrics contrast really well which makes quite a stark impression, after starting off with US radio broadcast with 'codes' for the troops.
My favourite track on this album is vengeance for its choice of samples and synths. I would love to hear this in a club and I would most definitely dance to it! Another very strong track on this release is momentum and definitely made me take note of it from the start as its got a slightly different feel to the others but works really well. It some how seems more optimistic then the others but that's what makes it stand out in a good way.
Forsaken in a strange way is quite a beautiful song but I think it lends that to the choice of samples used and the lyircs (if a little morbid).


4*


Over all its a very enjoyable album with some interesting choice's of samples used. Every track you could dance to in the right place


Track list:

  1. Hello, Baghdad
  2. Democracy
  3. Killing Fields
  4. Resolution 6
  5. Ich Bin Ein Auslander
  6. Vengeance
  7. Momentum
  8. Resolution 7
  9. Emotion
  10. Forsaken
  11. Not The World I Remember
  12. Resolution 8
  13. Dream For Tomorrow
  14. The Heart Of America

Wednesday, 8 December 2010

Nachtmahr - Semper Fidelis(2010)

I fell in love with Nachtmahr after seeing them play at infest 2010 and very very happily seeing them again in February. I had always been a fan of L'ame Immortelle so it was rather refreshing to hear something new from Thomas Rainer.
Joined on stage by his first Lieutenant Massimo Moscato and the Madchen in Uniform with one aim: to take over dance floors all over the world with their high energy industrial techno. He made his recording début as Nachtmahr in 2007 with the remix-heavy EP Kunst Ist Krieg in affiliation with Trisol Music Group.


limited edition copy
Enemies the intro track on this album has a brilliant and poignant quote by Winston Churchill of 'Do you have enemies? Good, that means you've stood up for something some time in your life' which sets the tone for then entire album in a brilliant original way. It also links very well into the next track of Wir Schreiben Geschechte which definitely packs a punch. Unbeugsam is bouncy, energetic, you cant help but dance to it with a massive smile plastered across your face which makes it one of my favourites on this album.
Rise and fall is one of the only songs on the album sung in English which makes it stand out more and a totally different feel to the rest. The other is can you feel the beat, which also happens to be my other favourite. All I have to say about this one is listen to the lyrics because they are so true about Nachtmahr.


The other 5 tracks on this release are instrumental club tracks(not to say the rest aren't either!), each with their own personality. Verrater An Gott i would put in league with the massive club hit of Katharsis. Then you have the high octane, very catchy Tanz Des Blutes, which you would definately be able to dance to... Very very hard.


I honestly don't think there's anything bad i can say about this album. Thomas Rainer has done himself proud with what I think to be his best work to date yet. Every single track you could dance to. Hard, dirty, fast, every single track is smothered in that highly infectious classic Nachtmahr sound that people love. This is a definate must have album, possibly the best of this year.


full 5*!!


Tracklist:
  1. Enemies (intro)
  2. Wir Schreiben Geschichte
  3. Tanz, Major!
  4. Unbeugsam
  5. Verraater An Gott
  6. Rise And Fall
  7. Massiv
  8. Can You Feel The Beat?
  9. Tans Des Blutes
  10. Rache
  11. Trockenficken

Sunday, 5 December 2010

Zombie Girl - Blood, Brains And Rock n Roll(2007)

Established in 2006 experienced Canadian artist and designer Renee Cooper-Komor is the voice, body and spirit behind the ZOMBIE GIRL concept. Her mystical magnetism quickly attracted Sebastian R. Komor away from his natal Norway into her graveyard and took her no time at all to mutate him into the “zombie-fied” male behind the music and most of the lyrics of the project. Its also nice to know that they don't take themselves too seriously.


Jesus Was A Zombie is evidence for that, the title says it all. With its funky guitars, keys and seductive vocals that are present through most of the double cd album and the zombie creation's take on the resurrection of Jesus it definitely makes it a fun song.
The Darkness has a similar thing going on but Seb has some vocals in it too which works really well in contrast to Renee's sexy vocal style. the same can be said for Living Dead Super Stars but with added samples of a crowd making it sound like there performing in front of a live audience.


The more danceable tracks on the album include Go Zombie which is one of my favourites. It starts off with advice on how to kill a zombie, ya know, just in case, and just like a zombie virus its very catchy. I wouldn't complain at hearing it in a club or a themed night out. Same can be said for Creepy Crawler(album version) which also makes it another favourite of mine, even with its darker feel to it but I think that's what makes me like it so much and wish it was longer. Elsie is another good danceable track with a hint of 80's thrown in for good measure but works in favour of Renee's vocals and is a fun track with a kinky side to it. 
There's also the Halloween element to the album with pieces like dance of the headless corpse and symphony of the living dead parts i and ii which would be perfect mood setters for Halloween parties or such themed events.


Overall the double CD release isn't a bad mixture of dance, rock and creepy Halloween esque music but it could have been more, not that its bad at all! The songs would be better as part of a play list instead of hearing them all together. However I love the seductiveness of Renee's vocals and Seb's composition works really well for them and you can tell they had fun writing this album.


3.5*


Track list:
         
CD 1:
  1. Blood, Brains And Rock n Roll
  2. Jesus Was A Zombie
  3. Creature Of The Night
  4. Living Dead Super Stars
  5. Go Zombie
  6. Creepy Crawler
  7. Dance Of The Headless Corpse
  8. The Darkness
  9. Today
  10. Gunna Getcha
  11. Funeral Pyre
  12. Prey
  13. Fading Away(zg version)
  14. Untitled Bonus Track
CD 2:
  1. Bonesniffer
  2. Jesus Was A Zombie (Mortiis Version)
  3. Bleeder (Industrial Strength Remix By Seb)
  4. Symphony Of The Living Dead
  5. Symphony Of The Living Dead pt ii
  6. Trioxin (Instru-mental)
  7. We Are The Ones (Lounge Version)
  8. Elsie
  9. Sex (I Am)
  10. Screams From The Cemetery
  11. House Of 1000 Corpses (Bonus Track)
  12. Fleasheaters Online (A Message To The World)

Monday, 29 November 2010

Icon of coil - Machines are us(2004)

Icon of Coil
In 1997 Andy LaPlegua established the project Icon Of Coil, which was primarily a concept built around a logo, graphic design and music. Soon after the inception, the music soon turned out to be the most important part of the concept and LaPlegua invited Sebastian Komor, to work with him on the project as a live member after previously working with him. After just a couple of gigs and the release of IOCs first single, Shallow Nation, Seb became a full-time member. In late spring of 2000 at a gig in Uddevalla, Sweden, Christian Lund joined the band as a live-member and went on stage with Andy and Seb for the first time.


This album has some brilliant dance tracks and some beautiful more mellow tracks on it. Take Existance in progress is an amazing dark distorted and definitely danceable track and it makes me smile on the inside. Its one of my favourite tracks on this album because of the different synths, vocal style as well as the lyrics. My other personal favourite on this album is Wire trip, with is funky start it gave me goosebumps moreover I just wanted to get up and dance my socks off! For those that want to listen to it now click here.  Pursuit kicks in straight away building up and gives the feeling of a mad man's mental rantings or secret paranoid delusions but its been written in a very cleaver way and works really well.


Then there's the stunning charm of Sleep:less which is one of the mellow titles on this release. You can chill out and be absorbed by the synths lyrics and melody of this song. Faith:not important is slower tempo'd then the other songs but still relatively upbeat which is really enjoyable. Even though the chorus lyrics convey a darker message the melody is contradictory but it works really well.


There's just one track on this album im not entirely sure about and that's Release the frequency - afterwords. Its a strange track and gets a little tedious even when there are vocals added to it but its only a minor blip on the album.


Over all its a brilliant album, very enjoyable despite the awkward last track. I would definitely recommend this  one to new comers to the scene and veterans alike. Andy LaPlegua, Sebastian Komor and Christian Lund make a formidable team which makes for some fantastic listening.


4.5*


Track listing:
  1. Comment v2.0
  2. Remove- Replace
  3. Consumer
  4. Shelter
  5. Mono Overload!
  6. Existance In Progress
  7. Faith:Not Important
  8. Transfer Complete
  9. Dead Enough For Life
  10. WireTrip
  11. Android
  12. Sleep Less
  13. Persuit
  14. Release The Frequency - Afterwords

Tuesday, 23 November 2010

Infest 2010 day 3

Its Sunday…. After only getting back to the hotel that morning and 8:45am, due to going to some amazing afterparties, and only 2 hours kip before lunch and shower, I’m ready to start it all over again. Very sleep deprived by this point as since the Friday I’ve only had about 8 hours sleep -- if that!
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Nachtmahr
Getting to the venue you could see the toll the copious drinking and parties are taking on people as they slowly fill in questionnaires about Infest and who’d they’d like to see next year for charity and to win some very awesome prizes.
As Paralox couldn’t play yesterday because the singer collapsed due to severe chest infection, they managed to make it today playing first; again they were another band I wasn’t overly bothered about seeing. Like the others though I thought id give them a chance seeing as I was there and, hey, I might have liked them… if they could sing. I know they were in hospital and the such for chest infection but the keyboard player couldn’t harmonize properly and she was singing flat. Don’t get me wrong, fair play to them for making it and playing, but they would have been better for our ears and the such if they were able to sing properly. Everyone showed their appreciation and support however for them being able to make it after the trip to hospital as well as flying over from Australia -- even if some weren’t as enthusiastic as others.
The next band, Concrete Lung, I had heard of but wasn’t sure if I particularly liked them or not; I was quick to discover they weren’t to my taste. ‘Noise’ is right. They looked enthusiastic about what they were doing which was good, using the stage space they had, and some people in the crowd clearly liked them -- but for me it sounded like someone was vomiting in a mic while playing the same 3 chords on guitar with distortion. If you like Pitchshifter there’s a good chance you’ll like these guys, but like I said not to my taste.
deathbaimuffin with Jennifer Parkin of Ayria
A very sleep deprived me with Jen parkin from Ayria
The next act how ever I LOVE! I patiently waited at the front while they set up. This act are known as the construction boys: It was only freaking Patenbrigade:Wolff! They were FANTASTIC!! in ‘true’ construction bloke style they were casually drinking cans on stage while making there sweet sweet sounds of an electronic construction symphony Beethoven would have been proud of. Being a big fan of theirs I had to record a video of the start of there performance!
Not soon after that song the lovely Antje Deickmann graced the stage as the ‘foreman’(or woman in this case) and performed ‘Voyage’, ‘Gestoffah’ and ‘Sun After Rain’ with them. Afterwards Mark Benniche sung a few songs with them which was very awesome. A combination of the construction lights, 2 of their albums guest singers, the background videos and images they put on a fantastic performance and I would happily go and see them again (even if i have to travel to Berlin).
Next up was Ayria, and I love them so it was a real treat for me to see them live, with guest keys player Guilliume from Memmaker who had performed Monday. Jen parking loved playing at Infest as everyone went crazy dancing and cheering, singing along to the songs with all their hearts content. Jen was jumping around on stage interacting with other band members and members of the crowd, and I can honestly say it was a privilege to see the Candian-born EBM queen live infront of me, and to meet her afterward!
I must admit I was a bit star struck (and oh so sleep deprived), but she was a very awesome lady, so well grounded and she definately appreciated her fans. And she said she liked the skirt i was wearing… Bonus!!
Photo0051
Thomas Rainer with my glow stick down his trousers
Nachtmahr I wasn’t overly worried about seeing, however I did catch the last few songs of their set and I’m really glad i did. I had listened to them before infest and wasn’t too sure about them, how ever seeing them they were really good! I was pleasantly surprised infact and now I love listening to them, so much so ive pre-ordered there newest album(review will be done when i get it)! They seem to have gotten the combo of harsh vocals with high energy ebm synths and beat just right. I also got to meet Thomas Rainer later on when he decided to shove my glow stick down his trousers.
The time had come for me to wiggle my way to the front again as Project Pitchfork were about to come on and boy was I excited! What a performance they put on! it was fantastic! I was snapping away with my camera dancing singing along. They were better live than they are on recordings and I was loving every minute of it. He even got on the step on barrier to interact with the crowd he was holding fans hands giving them what they wanted.
They were truely a privilege to see live, and even though they’re veterans of the scene they can still definately put on a performance with the best of them!
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Project Pitchfork
Afterwards the DJs finished the night off with there sets and Ayria’s Jen Parkin, her drummer, Thomas Rainer and Peter Spilles of Project Pitchfork joined everyone in the partying (which is how I met Thomas Rainer and Peter Spilles). Jen’s drummer had obviously spotted I had an Ayria top on and by this point had had a few asked me what was on my top (making an excuse to stare, aha!), not long after a bit of banter Jen asked my for my glow sticks which I was more then happily to lend to them, at which point one of them got ‘Nachtmahr’d’ (see picture). One of my friends kindly managed to get a picture of me with Peter Spilles before my camera managed to die for good after all the video and photo taking that had happened over the course of the weekend.
Not long afterwards at around 1am how ever the fire alarm went off which everyone continued to dance to thinking it was all part of the music.. until the DJ stopped and everyone got ushered out. People however made there own EBM using their voices and continued to rave outside, partly to keep warm -- partly because they wanted to keep dancing. It was only afterwards we found out it had been set off by someone spraying hairspray in the toilets… The DJs picked up where they got interrupted however and the party continued until the venue closed and everyone headed their separate ways.
All in all it was an amazing weekend and I don’t think these reviews have done it justice given exactly how good it was. I would highly recommended anyone going even if you havent heard of all the bands, you meet some amazing people and some of the bands turn out to be pleasant surprises!
Me and Peter Spilles from Project Pitchfork